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          <Title><![CDATA[Through the Night]]></Title>
          <Synopsis length='short'><![CDATA[The City of Birmingham Symphony Orchestra play Ravel and Mussorgsky, followed by music from Tchaikovsky, Larsen, Strauss, Haydn, Beethoven and JS Bach. With Jonathan Swain.]]></Synopsis>
          <Synopsis length='long'><![CDATA[With Jonathan Swain.

1.00am
The City of Birmingham Symphony Orchestra with Sakari Oramo at the 2005 BBC Proms, recorded at the Royal Albert Hall in London
Ravel, Maurice (1875-1937): Ma Mère l'Oye (Mother Goose Suite)
1.18am
Mussorgsky, Modest (1839-1881), orch Ravel: Pictures from an Exhibition

1.53am
Tchaikovsky, Peter Illych (1840-1893): The Seasons, Op 37b
Juhani Lagerspetz (piano)

2.35am
Larsen, Tore Björn (b 1957): Tre rosetter (Three Rosettes)
Fionian Chamber Choir
Alice Granum (director)

2.49am
Strauss, Richard (1864-1949), arr anon: Der Rosenkavalier - suite (1945)
Sydney Symphony Orchestra
Stuart Challender (conductor)

3.13am
Haydn, Joseph (1732-1809): Piano Trio in E 
Beaux Arts Trio

3.29am
Beethoven, Ludwig van (1770-1827): Piano Sonata No 18 in E flat, Op 31, No 3
Annie Fischer (piano)

3.52am
Bach, Johann Sebastian (1685-1750): Singet dem Herrn, BWV 225
Roberta Inverizi (soprano)
Annemieke Cantor (alto)
Gerhard Nennemann (tenor)
Furio Zanasi (bass)
Chorus of Swiss-Italian Radio and Ensemble Vanitas, Lugano
Diego Fasolis (conductor)]]></Synopsis>
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          <Title><![CDATA[Through the Night]]></Title>
          <Synopsis length='short'><![CDATA[Jonathan Swain continues Through the Night with music by Mendelssohn, Mozart, Wanski, Liszt, Thalberg, Klami and Svendsen.]]></Synopsis>
          <Synopsis length='long'><![CDATA[With Jonathan Swain.

4.05am
Mendelssohn, Felix (1809-1847): Prelude and Fugue in Em, Op 35, No 1 (1832)
Sylviane Deferne (piano)

4.15am
Mozart, Wolfgang Amadeus (1756-1791): Ave Verum Corpus, K618
Nederlands Kamerkoor
La Petite Bande
Sigiswald Kuijken (conductor)

4.19am
Wanski, Jan (1762-1821): Symphony in D on themes from the opera Pasterz nad Wisla (The Shepherd on the Vistula)
Polish Radio Symphony Orchestra
Andrzej Mysinski (conductor)

4.33am
Liszt, Franz (1811-1848): Ave Maria
Tallinn Boys Choir
Mart Siimer (organist)
Lydia Rahula (conductor)

4.35am
Thalberg, Sigismund (1812-1871): Air Anglais Varie (Home Sweet Home)
Dennis Hennig (piano)

4.41am
Klami, Uuno (1900-1961): Introduction e staccato etude
Jouko Harjanne (trumpet)
Radion Sinfoniaorkesteri
Sakari Oramo (conductor)

4.46am
Svendsen, Johan (1840-1911): Carnival in Paris - Overture/Episode, Op 9
Bergen Philharmonic Orchestra
Ole Kristian Ruud (conductor)]]></Synopsis>
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      <ProgramInformation programId='crid://bbc.co.uk/947929673'>
        <BasicDescription>
          <Title><![CDATA[Through the Night]]></Title>
          <Synopsis length='short'><![CDATA[Jonathan Swain ends Through the Night with music by Grieg, Auber, Ravel, Fauré, Debussy, Palmgren, Chopin, Rossini, Handel, Mozart, Kraus, JS Bach and Bacewicz.]]></Synopsis>
          <Synopsis length='long'><![CDATA[With Jonathan Swain.

5.00am
Grieg, Edvard (1843-1907): String Quartet No 2 in Gm, Op 27
Yggdrasil String Quartet

5.37am
Auber, Daniel-Francois-Esprit (1782-1871): Overture Le Cheval de bronze
Slovak Radio Symphony Orchestra
Stefan Robl (conductor)

5.46am
Ravel, Maurice (1875-1937): Berceuse sur le nom de Gabriel Fauré
James Ehnes (violin)
Wendy Chen (piano)

5.49am
Fauré, Gabriel (1845-1924): Clair de lune
Karina Gauvin (soprano)
Marc-André Hamelin (piano)

5.52am
Debussy, Claude (1862-1918): Ondine - from Préludes Book 2 (1912)
Philippe Cassard (piano)

5.56am
Palmgren, Selim (1878-1951): Overture to Cinderella (1902)
The Finnish Radio Symphony Orchestra
George de Godzinsky (conductor)

6.00am
Chopin, Frédéric (1810-1849): Variations on Non piu mesta from Rossini's La Cenerentola
Valentinas Gelgotas (flute)
Audrone Kisieliute (piano)

6.05am
Rossini, Gioachino (1792-1868): The Italian Girl in Algiers - overture
BBC National Orchestra of Wales
Richard Hickox (conductor)

6.13am
Handel, Georg Frideric (1685-1759): Sonata, Op 1, No 4, in Am, HWV 362
Louise Pellerin (oboe)
Dom André Laberge (organ)

6.21am
Mozart, Wolfgang Amadeus (1756-1791): Rondo in B flat, K269
Benjamin Schmid (violin)
The Danish Radio Concert Orchestra
Adam Fischer (conductor)

6.28am
Kraus, Joseph Martin (1756-1792): String Quartet No 4 in D 
Lysell String Quartet

6.43am
Bach, Johann Sebastian (1685-1750): Violin Concerto No 1 in Am, BWV 1041
Musica Antiqua Köln
Reinhard Goebel (violin/conductor)

6.54am
Bacewicz, Grazyna (1909-1969): Krakowiak (1949)
Polish Radio Symphony Orchestra
Jan Krenz (conductor)]]></Synopsis>
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          <Title><![CDATA[Morning on 3]]></Title>
          <Synopsis length='short'><![CDATA[Sara Mohr-Pietsch introduces music by Vivaldi, Kreisler, Haydn and Sullivan.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Presented by Sara Mohr-Pietsch.

From 7.00am

Vivaldi: Montezuma - Sinfonia
Toulouse Chamber Orchestra
Jean-Claude Malgloire (conductor)

Kreisler: Caprice Viennois for violin and piano, Op 2
Maxim Vengerov (violin)
Itamar Golan (piano)

From 8.00am
 		
Haydn: Symphony No 4 in D 
Cantilena
Adrian Shepherd (conductor)

Sullivan: Overture - The Mikado
Pro Arte Orchestra
Malcolm Sargent (conductor)]]></Synopsis>
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          <Title><![CDATA[The Cowan Collection]]></Title>
          <Synopsis length='short'><![CDATA[Rob Cowan introduces some of his favourite recordings. There's also a chance to hear Schnittke's Piano concerto, as recommended on CD Review.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Rob Cowan introduces some surprises and treasures from his record collection. Regular features include The Innocent Ear, and Rob's recommendation for a Bargain Hunter CD. There's also a chance to hear Schnittke's Piano concerto, as recommended on CD Review. The programme includes:

Rimsky-Korsakov: Tsar Saltan March
London Symphony Orchestra
Jean Martinon (conductor)

Schubert, arr Liszt: Du bist die Ruh
Ronald Stevenson (piano)

Attrib Rossini: Introduction, theme and variations for clarinet and orchestra in E flat 
Charles Neidich (clarinet)
Orpheus Chamber Orchestra

Wagner: Morgenlich leuchtend (from Die Meistersinger) 
Herbert Ernst Groh (tenor)
Orchestra
Otto Dobrindt (conductor)

Vivaldi: Concerto for two oboes in Dm, RV 535
Neil Black, Celia Nicklin (oboe)
Academy of St Martin-in-the-Fields
Sir Neville Marriner (conductor)

Brahms: Schaffe in mir, Gott, Op 29, No 2
The Choir of Westminster Cathedral
Martin Baker (conductor)

Franck: Pièces héroïque
André Isoir (organ)

Elgar: Introduction and Allegro, Op 47
London Philharmonic Orchestra
Sir Adrian Boult (conductor)

Tchaikovsky: Valse mélancholique, Scherzo (from Suite No 3)  
Moscow Philharmonic Orchestra
Kyrill Kondrashin (conductor)

Debussy: Fêtes galantes Book 2
Bernard Kruysen (baritone)
Jean-Charles Richard (piano)

Granados: Danse lente
Aldo Ciccolini (piano)

Bernstein-Richards: Tonight (from West Side Story)
Stan Kenton Orchestra

Mignone: Festa das Igrejas; Noss Senhora do Brasil; Aparecida
Sao Paulo Symphony Orchestra
John Neschling (conductor)

Zemlinsky: Sprich zu mir, Geliebter (from Lyric Symphony, Op 18)
Christine Schäfer (soprano)
Paris Orchestra
Christoph Eschenbach (conductor)]]></Synopsis>
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      <ProgramInformation programId='crid://bbc.co.uk/947929670'>
        <BasicDescription>
          <Title><![CDATA[Private Passions]]></Title>
          <Synopsis length='short'><![CDATA[Michael Berkeley's guest is playwright Howard Barker. His musical passions centre around works by Bartók, Ligeti, Stockhausen and Shostakovich.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Michael Berkeley talks to Howard Barker, one of the most powerful and compelling writers of modern European plays. He has also written several volumes of poetry and a collection of essays on the nature of theatre. Barker's musical passions centre around works by Bartók, Ligeti, Stockhausen and Shostakovich.]]></Synopsis>
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            <Name><![CDATA[Discussion/Interview/Debate/Talkshow]]></Name>
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            <Name><![CDATA[NON-FICTION/INFORMATION]]></Name>
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      <ProgramInformation programId='crid://bbc.co.uk/947929674'>
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          <Title><![CDATA[The Early Music Show]]></Title>
          <Synopsis length='short'><![CDATA[Lucie Skeaping focuses on the baroque recorder, assisted by the group Passacaglia who perform music by Dornel, Marais and Handel.]]></Synopsis>
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          <Title><![CDATA[Sunday Gala]]></Title>
          <Synopsis length='short'><![CDATA[Stephanie Hughes presents the Belcea Quartet playing three of Bartok's seminal quartets -  the String Quartets Nos 1, 2 and 3.]]></Synopsis>
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          <Title><![CDATA[3 For All with Brian Kay]]></Title>
          <Synopsis length='short'><![CDATA[Listeners' requests include Mozart's Flute Concerto in G; Hubert Parry's charming Lady Radnor's Suite and Josef Suk's Fantastic Scherzo - a piece which definitely lives up to its name.]]></Synopsis>
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      <ProgramInformation programId='crid://bbc.co.uk/947929682'>
        <BasicDescription>
          <Title><![CDATA[Music Matters]]></Title>
          <Synopsis length='short'><![CDATA[Tom Service speaks to Raymond Yiu about his new opera The Original Chinese Conjuror, based on the true story of Chung Ling Soo, aka William Robinson.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Tom Service speaks to Raymond Yiu about his new opera The Original Chinese Conjuror, based on the true story of Chung Ling Soo - whose dramatic death onstage at the Wood Green Empire led to his unmasking as William Robinson.  

For the 350th anniversary of the birth of the French composer and bass viol virtuoso Marin Marais, viol player Hille Perl and French baroque expert Philip Weller uncover his life and work. Plus, Tom meets identical twins who knew since their teens that they both wanted to be cutting-edge opera directors - Christopher and David Alden, currently staging Janacek and Handel at ENO.]]></Synopsis>
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      <ProgramInformation programId='crid://bbc.co.uk/947929681'>
        <BasicDescription>
          <Title><![CDATA[The Choir]]></Title>
          <Synopsis length='short'><![CDATA[Aled Jones discovers some of the many singers and composers who have been inspired by the collective sound of women's voices.]]></Synopsis>
          <Synopsis length='long'><![CDATA[In a programme devoted to music for all-female choirs, Aled Jones discovers some of the many singers and composers who have been inspired by the collective sound of women's voices.  

Including the fabled 'ladies of Ferrara' from 16th-Century Italy, Brahms' beloved Hamburg Frauenchor and the modern medieval sounds of American ensemble, Anonymous 4.]]></Synopsis>
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            <Name><![CDATA[Religion]]></Name>
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        <BasicDescription>
          <Title><![CDATA[Drama on 3]]></Title>
          <Synopsis length='short'><![CDATA[Gilgamesh: The epic of Gilgamesh was written in ancient Mesopotamia over 4000 years ago. It tells of the prowess of King Gilgamesh and his acquisition of a friend, Enkidu.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Gilgamesh

A radio drama version of Gilgamesh, adapted by Jeremy Howe, from the English version by Stephen Mitchell. Music by Paul Dodgson.

The epic of Gilgamesh was written in ancient Mesopotamia over 4000 years ago. Many people think it was the first story to be written down. It tells of the prowess of King Gilgamesh and his acquisition of a friend, Enkidu, and their adventures in the wilderness, battling monsters, in search of immortality. 

Gilgamesh ...... Joe Dixon
Enkidu ...... Adam Levy
Narrator ...... Kenneth Cranham 
Shamhat, Ishtar ...... Kananu Kirimi 
Lady Ninsun, Scorpion woman ...... Eve Matheson
Prologue, Anu ...... Robert Gwilym
Soldier, Utnapishtim ...... Bill Wallis
Humbaba, Ninurta ...... David Collins
Scorpion man; Ea ...... Chris Donnelly 
Urshanabi; Enlil ...... Paul Nicholson

Producer Tim Dee.]]></Synopsis>
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          <Title><![CDATA[Sunday Feature]]></Title>
          <Synopsis length='short'><![CDATA[You Must Remember This: What is the story of oral history? Can it be trusted, has it remained true to its origins and where is it going? Oral historian Alan Dein investigates.]]></Synopsis>
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          <Title><![CDATA[Andy Kershaw]]></Title>
          <Synopsis length='short'><![CDATA[Featuring a session from George Thorogood, one of America's best loved vintage rockers. His biggest hits with his band The Destroyers include Bad to the Bone and Born to Be Bad.]]></Synopsis>
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        <BasicDescription>
          <Title><![CDATA[Composer of the Week]]></Title>
          <Synopsis length='short'><![CDATA[Bach - The Final Years: 1/5. Donald Macleod explores the great sequence of summatory masterpieces from the last decade of Bach's life.]]></Synopsis>
          <Synopsis length='long'><![CDATA[Bach - The Final Years

Donald Macleod explores the great sequence of summatory masterpieces from the last decade of Bach's life.

1/5. The Goldberg Variations, written for an insomniac aristocrat, are heard in the interpretations of Glenn Gould (piano) and Virginia Black (harpsichord). An aria of beautifully poised simplicity yields 30 variations that include dances, a French overture, a series of dazzling canones and a Quodlibet on popular tunes, before the touching return of the Aria itself.

Goldberg Variations, BWV 988, Aria (also in Anna Magdalena notebook, vol 2)
Virginia Black (harpsichord)

Goldberg variations, BWV 988
Variation 1 (a 1 clavier); Variation 2 (a 1 clavier); Variation 3, Canone all'unisona (a 1 clavier); Variation 4 (a 1 clavier)
Virginia Black (harpsichord)

Goldberg variations, BWV 988
Variation 7 (a 1 ovvero 2 claviers)
Virginia Black (harpsichord)

Goldberg variations, BWV 988
Variation 15: Canone alla quinta in moto contrario
Virginia Black (harpsichord)

Goldberg variations, BWV 988
Variation 16: Ouverture (a 1 clavier); Variation 17 (a 2 claviers); Variation 18: Canone alla sesta (a 1 clavier); Variation 19 (a 1 clavier); Variation 20 (a 2 claviers)
Glenn Gould (piano)

Goldberg variations, BWV 988
Variation 22: Alla breve (a 1 clavier); Variation 23 (a 2 claviers); Variation 24: Canone all'ottava (a 1 clavier)
Glenn Gould (piano)

Goldberg variations, BWV 988
Variations 25 (a 2 claviers)

Goldberg variations, BWV 988
Variation 28 (a 2 claviers); Variation 29 (a 1 ovvero 2 claviers); Variation 30: Quodlibet (a 1 clavier)
Aria da capo
Virginia Black (harpsichord)]]></Synopsis>
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